Artist and engraver. Born November 10, 1697, and died on October 25, 1767, London. He was a member of the Masonic Lodge at the Hand and Apple Tree Tavern on Little Queen Street at London. This Lodge was organized and constituted in 1725 and erased in 1737. Hogarth, according to the Grand Lodge Register, was also a member of the Lodge at the Bear and Harrow Tavern in 1731 and was a Grand Steward in 1735. His father-in-law, Sir J. Thornhill, was Senior Grand Warden in 1728.
Brother George W. Speth was of the opinion that the date of Hogarth's famous picture Night, that is the occurrence it celebrates, was intended to be May 29, the anniversary of the Restoration of Charles II, as shown by the oak-leaves over the barber's sign and in the hats of two of the figures. The street is probably Hartshorn Lane, Charing Cross, opening into what is now Trafalgar Square and which was Northumberland Street but is now North Avenue in London. Brother Speth suggests the principal figure is that of Sir Thomas de Veil, a member of Hogarth's first Lodge, the one meeting at the Vine in 1729. A sword under the arm of the boon companion and the Masonic apron, large in size, as was typical of these times, are suggestive of the Tyler and have been taken to mean a caricature of Brother Montgomery. the Grand Tyler, or, as he was then called, "garder of ye Grand Lodge." Note the snuffers, useful where candles were a common source-of illumination, to be seen hanging at the Tyler's belt in the picture representing Night. This engraving was published in 1837.
Brother Hogarth married Jane Thornbill in 1729, daughter of Sir James Thornbill, at whose art school he studied for a time, and who for a long time refused to admit his genius and skill as an artist. It was not until Hogarth finished his series of six pictures depicting A Harlot's Progress that his father-in-law was entirely reconciled to the painter who had finally attained the fame warranted by his art. Hogarth painted a number of these series or pictures or illustrated stories, among the most popular being Marriage la mode, A Rake's Progress and Four Times a Day. Hogarth also met with success as a portrait painter and in 1746 he painted Garrick as Richard III, for which he wages handsomely paid for that day and age. His celebrated portrait of himself with his dog Trump is now in the National Gallery at London.
Hogarth died at the age of sixty-eight years and was buried in Chiswick, a tomb having since been erected to him, in 1771, by his admirers. A private hou3e in which he spent many of his summers was purchased in 1902 by Lieutenant-Colonel Shipway of Chiswick and turned into a Hogarth Museum.
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